
Often I have said to people that, “I will watch a blacksmith work, if they are good.” Fever, a deep desire, not only discipline but great skill, and, nay I say – art. It intrigues me, art does, and it is not hard to find art in the martial arts, and art at all levels. When I go to tournaments and watch kata I often am not looking for perfection, I am looking for understanding and then an expression of that understanding.
But this little blog is about what happens before the understanding and the expression. It is what comes from the desire, the discipline, and then the explosion of creativity, personalization and, well, beauty.
It is the discipline that borders on obsession. In watching the documentary, “It Might Get Loud,” my son and I listened to Jimmy Page of Led Zeppelin, Jack White of The White Stripes and The Edge from U2 talk about the formation of their art…fascinating. Jack White took his bed out of his room to make room for musical equipment. Jimmy Page left a well-paying studio job because it stifled his creativity to the point of deep frustration. The Edge realized that it was about the attitude and the emotion for him. Jack White challenges himself today by having instruments a little out of place on stage, just a step too far from where it aught to be just just add a sense of urgency . All three of these men pushed into the unknown in pursuit of their art.
Kata should be approach as art on one level, and the pursuit of the kata should, in my opinion, have all of the elements that I touched on: a fever, desire, even obsession. The pursuit of kata should involve the desire the desire to achieve more that skill, but become art. . And let me be clear the word obsession, it teeters on imbalance. Hmmmm… teetering on the edge of imbalance – where the action is in pursuit of art.

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“The artist must be ready to be consumed by his own creation.” Auguste Rodin
also…
http://www.mokurendojo.com/2007/11/nitty-gritty-truth.html
Obsession, or dedication? Actually seems like either of these words could be used interchangeably in this particular instance.
Nobody ever accomplished anything by following the path that everyone else walked, it is when you step off into the unknown that great discoveries are made.
I think this is one of the posts I've read from you.
Very profound.
My instructor has spent a lot of time trying to give us insights into Goju as an art form.
I find it very hard to get to a point of Goju being self expression, while staying the framework set out by Goju.
Trying to have consistency in form across all our goju katas, and creating the self expression within that consistency is very difficult for me.
I'm reminded of the Impressionist painters who seemed so radical in their paintings, but formed a group to advocate staying in the framework of their style of paintings. They didn't pursue painting whatever sold for the most money, but instead pursued self expression within the boundaries of their style. They had a group which monitored painters, and who could be categorized as impressionists.
Trying to see goju in a similar way, has helped me understand the structure that my instructor requires in our classes.
Shu, Ha, and Ri – You are shown a form and must copy the form, then you find variations within that form, finally, through understanding, you break through to your own form.
The 'style' is only important insofar as it leads beyond the 'style' itself.
It is like taking an art class, you are shown techniques for drawing, then you are to draw an item in front of the class utilizing what you have learned, sometimes even copying the teacher's artwork, then you move on to painting or drawing on your own, in which you discover your own way, but this way is grounded in the foundation of the art class itself, yet moves beyond it.
The only Kata I really practice anymore is Sanchin; I often start out in other Kata, then follow through to something else entirely.
The form becomes the spring-board for self-expression, in fact, moving to self-expression is key to understanding anything on any level, and key to practical understanding at that.
Attachment to particular 'style' or 'method' because Sensei says so is mistaking the forrest for the trees.
Truly deep and profound post there Sensei, thanks for sharing it.
Thanks for the good thoughts and clearly deep ones too. The bounce back is very welcome on my part as I get to hear your view points on the posts, and then I get to learn a wee eh? Thanks again KPT, ZenHG
I was catching up a bit on your posts Kris… hadn't seen this one but it struck me. In my younger days I studied art and had all good intentions of continuing in this field as my lifes work. To put it in a nutshell, economic times of the early 80's, and the responsibility of family and parenthood took me in a different direction.
In recent years I find myself with less responsibility and more time and I have once again begun to explore that creative drive that has always been there.
Also in my younger days I had dabbled in various martial arts. During these years of not producing "Artwork" My creativity did in fact exhibit itself in the kata. All I can say is that more than learning how to defend myself, more than keeping in shape, performing kata became a creative activity that I enjoyed very much. All the elements in my artwork, I found in the kata.
It is hard to explain, recently I have returned to artwork and here are some of the concepts that I use…
1. Become technically proficient in the media and the rules in order to be able to bend the rules to be creative
2. PRACTICE, repitition, repitition, repitition… That is how you become free and can be expressive.
3. There are some basics… circles, straight lines, combinations of the two..
I could go on and on.. do you see the similarities???????
Mike